
At the end of the 1960s and the beginning of the 1970s, BARCLAY was “the place to be”. Eddy had found a very simple way to attract authors, composers, performers and producers to the basements of the Avenue de Neuilly. Where our offices were. All the people who came didn’t pay for the phone… Which, especially for phone calls outside France, was great. This was our HQ.
There was a small studio, where we could work or make our models, the offices (cramped) two modular lounges and at the back the office of the pretty press officers. I spent four years there, rubbing shoulders with all the young artists of the house, P. HOLM, D.A. WINTER, NICOLETTA, and especially my two friends D. GUICHARD and P. LAVIL.
Of course when they were there, the “big ones” came down to see us to have a little laugh. It must be said that we formed a rather whimsical team. BREL, AZNAVOUR, BARRIÈRE, MITCHELL, FERRÉ and others (there were 177 of us in all, if I remember correctly) came empty-handed or with lyrics or music written for us.
Four years have passed, most of them taking care of Daniel but also other young artists (including me…). I helped them, as an artistic director in the choice of authors, composers, orchestrators, session directors… We recorded at the Hoche studios, avenue Hoche, which belonged to Eddy. They were good years.